Synopsis
"In the middle of tending to the everyday business at her vintage clothing shop and side-stepping her married boyfriend's attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital—where she has been locked away for over sixty years. Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face. Esme has been labeled harmless—sane enough to coexist with the rest of the world. But Esme’s still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit?
Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page." (Publisher)
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Reviews
- O'Farrell (After You'd Gone) delivers an intricate, eloquent novel of family malice, longings and betrayal. Slim, stylish Iris Lockhart runs a dress shop in contemporary Edinburgh when she's not flirting with her stepbrother Alex or rendezvousing with her married attorney lover, Luke. Esme Lennox, meanwhile, is ready to be discharged from the soon-to-be-closed psychiatric hospital where she's been a patient (read: virtual prisoner) for 61 years. Iris becomes aware of Esme's existence when she's informed, to her disbelief, that she has been granted power of attorney over Esme by Kitty Lockhart, Iris's Alzheimer's-afflicted grandmother. It turns out Kitty and Esme are sisters, but Kitty kept quiet about Esme after she was hospitalized at age 16. Layer upon layer of Lockhart family secrets are laid bare-the truth behind Esme's institutionalization, why her existence was kept a secret, and a twist involving Iris's parents-as Iris mulls over what to do with her new charge, and Esme and Kitty reconnect. O'Farrell maintains a high level of tension throughout, and the conclusion is devastating. (Publisher's Weekly)
- Maggie O'Farrell's three previous novels have been respectfully reviewed, but her new one radiates the kind of energy that marks a classic. Think Kate Chopin's The Awakening, Charlotte Gilman's The Yellow Wallpaper or Jean Rhys's Wide Sargasso Sea: stories that illuminate the suffering quietly endured by women in polite society. To that list of insightful feminist tales add The Vanishing Act of Esme Lennox. At the heart of this fantastic new novel is a mystery you want to solve until you start to suspect the truth, and then you read on in a panic, horrified that you may be right.(Ron Charles, The Washington Post)
- O'Farrell is a very visual writer, creating dead-on images like the "arched pink rafters" of a dog's mouth and a chandelier's "points of light kaleidoscoping" above a dance floor. This talent serves her well at the novel's startling and darkly rewarding finale. (Julia Scheeres, The New York Times)
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Book Club Rating and Comments

We generally liked this book. The dea for the story was good, but the impression was that maybe it started out as a short story and got padded. It is a quick, enjoyable read for the beach or a rainy/snowy day. If you or your book club has read this book and would like to share your comments, please email us at upthecreekbc@yahoo.com.
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