Synopsis
"A magnificent storyteller with vast imaginative range, Anita Diamant gave voice to the silent women of the Old Testament in The Red Tent. Now, in her third novel, she brings to vivid life an early New England world that history has forgotten.
Set on Cape Ann in the early 1800s, The Last Days of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and "witches." Nearly a decade ago, Diamant found an account of an abandoned rural backwater near the Massachusetts coastline at the turn of the nineteenth century. That pamphlet inspired a stunning novel about a small group of eccentrics and misfits, struggling in a harsh, isolated landscape only fifty miles north of Boston, yet a world away.
Among the inhabitants of Dogtown are Black Ruth, an African woman who dresses as a man and works as a stone mason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her rural brothel; Oliver Younger, who survives a miserable childhood at the hands of a very strange aunt; and Cornelius Finson, a freed slave whose race denies him everything. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself and inspires those around her to become more generous and tolerant themselves.
This is a story of hardship and resilience — and an extraordinary re-creation of an untold chapter of early American life. With a keen ear for language and profound compassion for her characters, Diamant has written her most moving and powerful novel." (Publisher)
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Reviews
- "…a lovely and moving portrait of society's outcasts living in an unforgiving and barren but harshly beautiful landscape.
" (The New York Times Book Review)
- "Diamant's new novel is not, as its publisher claims, a work of historical fiction. More accurately, what she has created—as she did in her bestselling first novel, The Red Tent is the overlay of a modern sensibility on an imagined past. In The Red Tent Diamant used a gaudy, Technicolor style to engineer her Old Testament visions of sex and violence, while The Last Days of Dogtown is as plain as sunlight on polished wood. But in both books, she has managed to find an appropriate (if not a true) vocabulary to conjure up a world." (The Washington Post)
- " Fans of Diamant's The Red Tent who were disappointed by her sophomore effort (Good Harbor) will be happy to find her back on historical turf in her latest, set in early 1800s Massachusetts. Inspired by the settlement of Dogtown, Diamant reimagines the community of castoffs-widows, prostitutes, orphans, African-Americans and ne'er-do-wells-all eking out a harsh living in the barren terrain of Cape Ann. Black Ruth, the African woman who dresses like a man and works as a stonemason; Mrs. Stanley, who runs the local brothel, and Judy Rhines, an unmarried white woman whose lover Cornelius is a freed slave, are among Dogtown's inhabitants who are considered suspect-even witches-by outsiders. Shifting perspectives among the various residents (including the settlement's dogs, who provide comfort to the lonely), Diamant brings the period alive with domestic details and movingly evokes the surprising bonds the outcasts form in their dying days. This chronicle of a dwindling community strikes a consistently melancholy tone-readers in search of happy endings won't find any here-but Diamant renders these forgotten lives with imagination and sensitivity." (Publishers Weekly)
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