Synopsis
"This brilliant novel with universal resonance tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst."
"One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. "
"Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is "Arrow", the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims."
"In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress." (Publisher)
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Reviews
- "Four people struggle to stay alive in war-torn Sarajevo, remembering the simple pleasures of their old routines as they settle into horrifying, desperate new ones. On a day during the brutal siege of Sarajevo-an occupation that ultimately lasted years and claimed tens of thousands of lives-a mortar attack kills 22 people waiting for bread as a once famous cellist watches from his window. In tribute, he decides to play his cello in the street for 22 days, which will likely get him killed, given the hordes of snipers waiting in the hills above the city. But Arrow, an angry young female sniper, is cryptically assigned to protect him. As she stalks his potential killers, she begins to confront her own rationale for murder. Meanwhile, two ordinary citizens try to survive another day in the hell that Sarajevo has become. Kenan, a young father, traverses the ravaged city in search of water for his family and, as a favor, for a neighbor. The only safe haven for clean drinking water is a brewery across town, and the trek is both difficult and dangerous. On the journey, Kenan passes the tragic remains of his old life, including the office building, now burnt down, where he used to work and the park, now unsafe, where he used to spend time with a friend. Meanwhile, Dragan, a middle-aged baker, runs into an old acquaintance as he goes searching for bread. The two literally dodge bullets as they make their way through the streets. As violence rages in a city whose vibrance now lives only in the memories of its dying residents, the cellist continues his beautiful act of defiance, playing on through the bullets. Indelible imagery and heartbreaking characters give authority to this chilling story andmake human a crisis typically overlooked in literature. " (Kirkus Review)
- "A bread line in besieged Sarajevo. A mortar lobbed by Serb soldiers on the hill. Death for 22 people. A cellist sees it all and determines to honor the dead-and perhaps assuage his own pain-by playing Albinoni's Adagio on the spot for 22 days. And so Galloway opens his first novel, inspired by true events, weaving together four lives to tell the awful story of Sarajevo's devastation. Aside from the cellist, there's Kenan, who risks his life every few days to carry plastic canisters to the brewery and retrieve water for his family. Dragan, who got his family out before the bombs started falling, works at the bakery for, literally, his daily bread. Both must cower on street corners and watch those who risk crossing get shot or killed. Arrow, who uses an alias, is a sniper desperate to defend her city and just as desperate not to compromise her humanity by hating the men who rain death down on the city. In the end, each takes a stand, small or large, to assure that the "Sarajevo that [they want] to live is alive again." Galloway writes simply and affectingly, occasionally resorting to cliché and just as often hitting a sweet, clear note that makes the siege of Sarajevo very real. " (Barbara Hoffert - Library Journal)
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